My wind turbine powers a fan
Which blows a ball into a can
Which sets off a switch
For a solar lamp, which
I’m using to top up my tan.
My wind turbine powers a fan
Which blows a ball into a can
Which sets off a switch
For a solar lamp, which
I’m using to top up my tan.
I drive to the city some nights
And park up to look at the lights.
Red, amber and green:
What on earth might they mean?
But the sight of them always delights.
There was a man from Camden Town
Who pottered about upside down.
If you wanted to rile
Him, you’d only to smile
But he’d always delight in a frown.
Any print comic you care to name
Is limited by its own frame
But webcomics ain’t
Subject to that constraint;
I wish limericks could do the same, but they are governed by quite rigid rules about line length, scantion and rhyme scheme which can’t really be broken without compromising the integrity of the piece. If you want an impossibly tall tower, or a balloon ride, or a warren of underground tunnels, you can't just extend the format to include them - you either have to find a way to work them into the syllables available, or leave it for another time. If I had the space, I could write about rainbows playing hide and seek in the spray from waterfalls tumbling into forest pools, or playful mole-eating kobolds tapping secrets into your dreams by night. I could zoom out to reveal a beachy shoreline stretching hundreds of miles in one direction, and mysterious crags disappearing away in the other, and every cave would be home to sad, pale, blinking eyes, and every grain of sand would be the key to another universe. Inland, people would be working and talking and playing and relaxing and arguing and making up again, all those things that people do, and some of them would write their own poetry too, each of which could be as endless as mine around them, and richer and more full of delights, and some would actually rhyme properly and contain original metaphors. And as the seasons changed and the world spun around, the limerick would go on and on and on, turning corners and throwing up bumps in the road and bursting out into splashes of colour at the most unexpected times. But I can't do any of that - or at least not all at once. I recognise the limitations of my chosen form, on paper, online, or anywhere, and they must be observed. Sometimes the best that can be hoped is to raise a single half-smile, sometimes there might be more, sometimes an idea might crystallise and stay in your head for some while. Sometimes the poem will be forgotten as soon as it's read, or not even finished. The writer's job is to make a virtue of constraint, just as the artist uses the picture frame as an essential part of the composition. But it's only natural to yearn, occasionally, to step outside the frame and frolic in the fields beyond.
There once was a young man from Mecca
Who met a one-year-old woodpecker.
But something was lacking:
A card, shiny packing
And --gasp!-- a deluxe Black and Decker.
Terrifying or terrific?
The answer is context-specific.
Endless wings may be bitchin’
In a restaurant kitchen
But on you they’d be kind of horrific.
There once was a young man from Tours
Who loved to design crazy straws.
He went online to find
Hobbyists of like mind
And they argued for weeks without pause.
Michael Phelps is a slippery phellow
For all you might might gesture and bellow
He’ll zoom up and down
Any pool in your town
Till you go nuclear and use jello.
There lurks a beast in Cirith Ungol
In atmosphere gloomy and fungal
Her heart black as night
Who quotes... EB White?!
When spinning her spiderweb jungle.
One starts dabbling with recursive wishes
And the meta-ness seems quite delicious
But that old jobsworth djinn
Just will not let you win
And you'll wish you'd not been so ambitious.
That's for the main theme of the comic, but the line about banishing TV show bores into their own obsessions ought not to be overlooked:
The next time an eyelash slides out
I shall wish for the magical clout
To banish those bros
Who go on about shows
To the shows that they go on about.
However relentless you beeeeee
You never can out-argue meeeeee
From plums to percussion
I'll win the discussion
How? Whoosh down a waterslide. Wheeeeee!
As I walk to my door, looking cool (ish)
My thoughts tend to turn to the ghoulish.
I quicken my pace
Though there's never a trace
Of real danger. I look rather foolish.
I don't know whether you noticed, or whether it worked, but what I tried to do here was quicken the rhythm of the limerick through the third and fourth lines, before the abrupt halt in the fifth. To match the quickening pace in the graph, you see.
In my library, Atlas Shrugged’s placed
So the unwary reader is faced
With a room dank and dark
And a candlelit plaque
Telling him he has terrible taste.






